Thursday, 3 October 2013

Daniel Dearlove reviews Justice League Dark #23.2

Daniel Dearlove reviews Justice League Dark #23.2


Any comic with Dan Didio in a creative capacity is going to attract a certain degree of cynicism if not outright derision, with the suspicion that he could give himself any assignment he wanted. His writing during the New 52 era has been as sparse as it is spotty. OMAC was generally well received despite low sales, but seemed widely assumed to be more the work of co-writer Keith Giffen. His Challengers of the Unknown serial in DC Universe Presents was a strange thing, showing every sign of being truncated with no room for the plot to breathe. And the debut issue of Phantom Stranger was possibly one of the worst comics I've ever read.

So it feels a bit unnatural to report that Dan Didio's Eclipso story is... Not bad. Just not bad. It's a fairly low-key tale setting up Eclipso's bonding with his apparent new host. In keeping with the theme of the month, no heroes show up to do battle. Eclipso gets his hooks in the disgraced entrepreneur Gordon Jacobs, and one unfortunate victim falls along the way. (A magazine glimpsed on page one identifies Jacobs as "Architect of the Great Solar Disaster", easily misread as "Great Disaster". Could it be...? Didio does seem to love his Kirby motifs.) The script isn't hugely ambitious but works on the level of an old-fashioned DC horror story. 

However, what makes this issue worthwhile is seeing an artist realise his potential. Philip Tan's prior work has been mostly undistinguished. His art on Final Crisis: Revelations didn't progress much beyond standard house style, even when given some potentially spectacular Spectre sequences. But here, the nature of Eclipso gives itself to some striking, ethereal imagery and inventive page layouts. Standard square panels dominate on the early pages, but by the climax their rare reappearance signals the intrusion of normalcy into Jacobs' warped existence. It doesn't hurt when the jagged, dreamlike art calls to mind the Bill Sienkiewicz of the mid-eighties, a likeness that never fails to make me say "This looks like Sienkiewicz, here is my money".

Mikel Janin's cover is one of the more effective of Villains Month, with Eclipso's gem acting as an appropriately shiny focal point (as much as it calls to mind one of DC's more ill-considered enhanced covers of years gone by). It's not immediately clear where Eclipso is supposed to go from here; the pages of Justice League Dark perhaps, but it's apparent that the title on the cover isn't to be trusted where these stories are concerned. The character has had a strange journey through the New 52, the Black Diamond making appearances in titles as diverse as Demon Knights and Catwoman, with Eclipso's most recent role as the big bad in Sword of Sorcery's Amethyst, all of which is touched on here. My interest is piqued enough to wait and see what's next.    

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Lazarus #1-4 by Greg Rucka and Michael Lark


Lazarus #1-4

by Greg Rucka and Michael Lark


(Image Comics, 2013)


Dystopian future sci-fi.  Neo-feudal commentary on class divisions. Kick-ass lady with a sword.




Image comics description of issue #1:"FAMILY," Part OneIn a dystopian near-future government is a quaint concept, resources are coveted, and posession is 100% of the law. A handful of Families rule, jealously guarding what they have and exploiting the Waste who struggle to survive in their domains. Forever Carlyle defends her family's holdings through deception and force as their protector, their Lazarus. Shot dead defending the family home, Forever's day goes downhill from there....






Forever Carlyle, known as Eve, is the Lazarus of the Carlyle family.  She appears to be able to recover from any wound (the cover to the first issue shows her with a gunshot wound to the head). In these issues we are introduced to the various members of the family and the internal power struggles which seem very much like those in A Game of Thrones.



The population of any given place we are shown is referred to in three categories: family, serfs and waste. This shorthand gives a strong sense of how the world works. You are either a part of the family, work for the family or you are utterly unimportant.


The first issue sets up this world and introduces us to Forever and some of her family.  The second issue shows us more of the family and how they interact, the third introduces us to family Morray and the relationship between them and Carlyle.  In the fourth we really see what the Lazarus can do and a big can of worms is opened.


I have been a fan of both Rucka and Lark together and separately for a while, They collaborated with co writer Ed Brubaker on the excellent Gotham Central, Rucka wrote the excellent British spy drama Queen & Country and Lark, with Ed Brubaker writing took on and lived up to the unenviable task of following Brian Michael Bendis and Alex Maleev on Daredevil.  Their work here is equally good. While some comics writers write as episodes of a serial (Brian K Vaughan in Saga comes to mind as a current comparison) Rucka’s pacing here seems more like chapters of a book.  It really takes a few chapters to get a proper feel for the series but it is very worthwhile. By the end of issue #4 we are at the end of one of those episodes of a serial.


Issues #1-4 are available now and then first trade paperback, collecting these four chapters, will be released on the 9th of October.




The series has an official Tumblr run by Rucka, http://familycarlyle.tumblr.com/.

Wednesday, 2 October 2013